I don’t normally post reviews, although I thought I’d try my
hand at it. Today, let’s take a look-see at David Petersen’s Mouse Guard: Fall1152. This was my first foray into the world of the Mouse Guard, and let me say
it was quite the enjoyable visit.
Visually, the book is striking. Images are lush, and the
storytelling is top-notch. Petersen does a fantastic job establishing a milieu
that is rich in sensory detail. This is a dirty, gritty, old world, and the
author masterfully draws you into it. As you read, you can feel the heat from
the bellows, smell the bread baking in the ovens, and hear the rain spattering
in the mud. Throughout, Petersen strikes a perfect balance between cartoony and
realistic, creating cute little critters while pulling off blood splatter and
hints of gore. This is a violent, brutal world, in spite of the
pinch-their-cheeks mice that populate it.
As for the story itself, Petersen displays an exceptional
sense of pacing, picking up the action when needed, and using still images and
transitional frames throughout to create a compelling narrative. He’s not
afraid to pause and let us spend a little time lingering in the world of the
Mouse Guard, and the story is all the better for it. The world he creates has a
rich history, and the glimpses of it we see in this volume hint at even greater
stories to come.
Quibbles? I’m not a huge fan of the computer-generated
lettering, which feels slightly inorganic as an overlay on top of the rich,
textured and carefully-crafted images. Even here, however, Petersen manages a
few storytelling flourishes, using overlapping text bubbles to show characters’
overlapping dialogue. Throughout, his minimalistic approach to text, putting
the bulk of the storytelling on the shoulders of the visuals, is a wise choice,
and mitigates this concern. If dialogue and captions dominated the pages, the
use of computer-generated lettering would have been a distraction – as it is,
I’m really looking for something to critique.
In the final analysis, Mouse Guard is worthy of all of the
praise that has been heaped upon it. If you haven’t read the book yet, I
strongly urge you to pick up a copy and get to it. I’d definitely recommend the
collection instead of individual issues of the comic – the slower, more
methodical pacing lends itself perfectly to the longer graphic novel format.
Five out of five stars
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